In these idyllic surroundings Hilma came into contact with nature at an early stage in her life and this deep association with natural forms was to be an inspiration in her work. The fourth child of Captain Victor af Klint, a Swedish naval commander, and Mathilda af Klint (née Sonntag), Hilma af Klint spent summers with her family at their manor Hanmora on the island of Adelsö in Lake Mälaren. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas. She belonged to a group called "The Five", a circle of women who shared her belief in the importance of trying to make contact with the so-called "High Masters" – often by way of séances. A considerable body of her abstract work predates the first purely abstract compositions by Kandinsky. Hilma af Klint (Octo– October 21, 1944) was a Swedish artist and mystic whose paintings were amongst the first abstract art. She requested that it should not be shown until 20 years after the end of her life.
She continued prolifically to add to the body of work amounting to over 1000 pieces until 1941. Quite apart from their diagrammatic purpose the paintings have a freshness and a modern aesthetic of tentative line and hastily captured image: a segmented circle, a helix bisected and divided into a spectrum of lightly painted colours.
Through her work with the group 'the Five' af Klint created experimental automatic drawing as early as 1896, leading her towards an inventive geometric visual language capable of conceptualising invisible forces both of the inner and outer worlds. Af Klint's work can also be seen in the wider context of the modernist search for new forms in artistic, spiritual, political and scientific systems in the beginnings of the 20th century.
It is interesting to note that af Klint's work ran parallel to the development of abstract art by other artists such as Mondrian, Malevich and Kandinsky who were, like af Klint, inspired by the Theosophical Movement founded by Madame Blavatsky. One, Gregor, spoke thus: "all the knowledge that is not of the senses, not of the intellect, not of the heart but is the property that exclusively belongs to the deepest aspect of your being.the knowledge of your spirit". The project on which "the Five" were engaged involved, in 1892, recording in a book a completely new system of mystical thought in the form of messages from higher spirits. Her more conventional painting became the source of her financial income while the 'life's work' remained a quite separate practice. Here she met Anna Cassel, the first of the four women with whom she later worked in 'The Five' (de fem), a group of artists who shared her ideas. She showed an early ability in visual art and after the family had moved to Stockholm she studied at the Academy of Fine Arts for five years during which time she learned portraiture and landscape painting. In 1880 her younger sister Hermina died and it was at this time that the spiritual dimension of her life began to develop. From her father she adopted an interest in mathematics. In these idylic surroundings Hilma came into contact with nature at an early stage in her life and this deep association with natural forms was to be an inspiration in her work. The fourth child of Captain Victor af Klint, a Swedish naval commander, and Mathilda af Klint (née Sonntag), Hilma af Klint spent summers with her family at their farm Hammora on the island of Adelsö in Lake Mälaren. She belonged to a group called 'The Five' and the paintings or diagrams were a visual representation of complex philosophical ideas. Hilma af Klint was a Swedish artist and mystic whose paintings were amongst the first abstract art.